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TROS & GNS: NS? NG!

Started by apparition13, February 01, 2005, 08:59:30 PM

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apparition13

A few months ago I started reading rpg forums and began running into references to TROS both here and elsewhere. There's alot of enthusiasm for the game, so I read up on it, starting with Ron Edwards ' review, then moving to RPG.net and some of the discussion there.

In his review of TROS Ron wrote:

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My call is that we are looking at Narrativist-Simulationist hybrid design, with the latter in a distinctly subordinate/supportive role.


This interpretation seems to be generally accepted. However, the more I read the more uncomfortable I became.

From James Durnan's review http://www.rpg.net/reviews/archive/10/10048.phtml:
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Initially, I was really excited about the character creation system. It allowed for a lot of flexibility on the player's part, yet kept them from creating unrealistic characters. It makes you make well-rounded characters, the hope of all games, yet gives you plenty of choices to make him your very own, without forcing you into ridgid classes. I liked that idea. But something occurred to me after making a couple of characters, and helping my players make theirs. One player of mine noticed a huge flaw, and after that, I couldn't view it as a viable creation system anymore. Here's why. As you create your character, you must assign priorities to various aspects of him or her, including race, attributes, social status, etc. using letters from A to F. This is fine and dandy, but what this means is that the knight, who must take at least a B in social class, will be less educated, have fewer attribute points, fewer advantages, and be worse in combat (combat skills are separate from other skills - I'm not sure why) than the slave! It's true. If you make a slave, his attributes will be higher, he'll have more skills at lower (better) levels, and can have a cool advantage or two to boot. For a system that brags how realistic it is, this seemed rather funny to me.

From a review by Helstrom
http://www.rpg.net/reviews/archive/10/10491.phtml
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Combat is a large section of the book, and it should be. It was quickly apparent that the more you were familiar with the system, the better you would be at it, which is cool, but then a player brought up a good point. Why does my combat skills as a player matter to my character in combat? The answer is - it shouldn't. This is a role-playing game, after all. My ability to use the combat system should have no bearing on my character's ability to fight, but unfortunately, it matters a lot. To prove a point, one new player with a sword battled a more experienced one with just a dagger, and was trounced 5 out of 5 bouts, due to player skill alone. This was a surprise and major reason to take a closer look at this game.


From Balbinus
http://www.rpg.net/forums/phorum/rf08/read.php?f=2596&i=13&t=9:

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If a player is better with the combat system than the GM all opponents that player faces are worse than that player's character.

That kind of doesn't make much sense.

As a player versus player skirmish game the reliance on player skill is fine. As an rpg it leaves much to be desired.


From Polaris http://www.rpg.net/forums/phorum/rf08/read.php?f=2310&i=174&t=3:
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Absolutely the game can be faulted for that. That's because TROS advertises its realistic combat system as a selling point. Relying on player skill rather than character skill is not realistic, and leads to metagaming which in turn encourages poor RPing.

In short, I find the system little more than an RPG skeleton wrapped around Mr. Norwood's pet combat simulator. There is nothing wrong with simulation gaming using a combat simulator....but I do not consider that roleplaying.


From GSH http://www.rpg.net/forums/phorum/rf08/read.php?f=2596&i=39&t=5:
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Helstorm wrote:
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Yes, but while the SAs influence combat, what the author is really saying is that Spidey isn't heroic when he's not rescuing Aunt May, which makes no sense.
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I haven't seen the game (so take this comment with a grain of salt), but I suppose it would depend on how big the increase in ability is.

Spider-man to Spidey rescuing MJ isn't that big a jump. However, something like Bruce Banner to the Hulk is a big leap, and may be a better example of what the reviewer intends.

If the character is "Bruce Banner" normally, but turns into the Hulk if an SA hits, well, that does sound a bit weird to me. It seems to a question of degree to me.

to which Helsrom replied http://www.rpg.net/forums/phorum/rf08/read.php?f=2596&i=107&t=5:
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If the character is "Bruce Banner" normally, but turns into the Hulk if an SA hits, well, that does sound a bit weird to me. It seems to a question of degree to me.

That's kind of what happens, yes...


What these objections share is that they are critical of TROS because it "doesn't make sense". The chargen system isn't "realistic", the combat system requires player (and GM) tactical skill and full use of SAs leads to an unrealistic jump in capability. The fact that TROS is designed around the concept of player choice is either missed or dismissed by its critics. In other words, they object to the "metagame" aspect of TROS, and I submit that this is a sim objection: considerations from outside the game-world reality of the SIS should not have an impact on events inside the game-world reality.

Later in his review of TROS Ron says:

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I think the only RPG that has approached combat similarly is Swashbuckler from Jolly Roger Games. The two games have a lot of similarities. (1) They share a commitment to the intensity of combat in terms of player identification with the process, in part through the players choosing specific maneuvers, in part due to simultaneous resolution. (2) They have no "hit points:" - people hit the dirt by failing attribute rolls, which gets easier to do as resisted hits accumulate. (3) Skill values do not stack to increase fighting proficiency; the mechanics for skill use and those of fighting are almost entirely separate.

The main difference between the games is instructive. Swashbuckler combat is largely defined, exchange to exchange, by whatever moves were performed in the previous exchange. Each maneuver has a limited range of possible following maneuvers, and the authors did an exceptional job of picking "flows" that match cinematic sword combat. Just where a blow lands, or what combination of blood loss and pain takes a combatant down, are handled through Drama.

By contrast, The Riddle of Steel combat is largely defined, exchange to exchange, by whoever hit or didn't (retained or gained initiative), and by the specific damage done to a specific body part, defined mainly through attendant shock, pain, and blood loss. Just how a blow (taking or receiving) feeds into the body postures and the next exchange's options is handled through Drama.

They both work. They both achieve an immediacy of decision-making within the context of specific maneuvers that role-players often crave. And to my way of thinking, both benefit from leaving certain aspects of the combat events open to colorizing through Drama, rather than nailing down every last detail procedurally. However, exactly what is formalized, and what is left "open," is the opposite for these games.


His review of Swashbuckler included the following:

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I don't know for sure, but it seems to me as if the system may have begun strictly as a Gamist enterprise, that is, a combat-only pocket-style game for two players.


Put this all together and it seems pretty clear to me that TROS has been misclassified as sim. Replace "Narrativist-Simulationist hybrid" in Ron's essay with "Narrativist-Gamist hybrid" and I think it's spot on. Detailed and realistic combat system yes, but a combat system that is also all about "step on up", at least until SAs enter the picture. End result, N/G hybrid. It's not at all surprising that the game elicits such hostility by players with sim priorities; their preferences aren't supported by the game by design. Just to be clear, I don't mean deliberately excluding sim players is a design goal of TROS but rather that those design goals are not supportive of sim play because they were meant to support nar play.

(Note:  Originally posted in the TROS forum.)
apparition13

Ben Lehman

I agree entirely.  Attempts to use TROS for Simulationist terms have been unsatisfactory at best.

Which means the door is still open for a really hardcore sword-porn RPG that differentiates each and every possibly type of pointy-thing.

yrs--
--Ben

Yokiboy

Freaky that you should post this now, I'm plowing through the main TROS rulebook and both supplements at this time. As a group we've been looking forward to trying TROS, but I was beginning to come to some of the conclusions you have as well. It really isn't SIM, or perhaps parts of it try to be, but it's a strange mix of elements from all three creative agendas - definitely focused on NAR though, based on the spritiual attributes.

Another way I see it as a gamist design is that how good players have an advantage in combat. I can see this going over damn well with my gamist friends, whereas my SIM buddies will complain about it not being realistic.

I am also interested in how IIEE is handled in TROS, I haven't found any strict guidelines yet, and find them sorely missing. Oh, and I'm referring to actions outside of combat, as combat is covered quite well as is.

The game seems focused on Task Resolution, which I guess goes well along with the combat system, but I'm a huge fan of conflict resolution systems, has anyone experimented with changing the basic resolution system?

TTFN,

Yokiboy

apparition13

Ben Lehman wrote:
QuoteI agree entirely. Attempts to use TROS for Simulationist terms have been unsatisfactory at best.

I noticed no-one else has chimed in with an objection.  Have I simply verbalised a conclusion that  everyone else here has reached?  I'd be particularly interested on Ron Edward's reaction.  Has actual play revised your classification of TROS as part sim?  

The magic mechanic  also seems simmy at first blush.  Does it actually play out that way?  Does the combat like "offense"/"defense" dice allocation give it a gamey feel?  Or does it play more narr?


Yokiboy wrote:
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The game seems focused on Task Resolution, which I guess goes well along with the combat system, but I'm a huge fan of conflict resolution systems, has anyone experimented with changing the basic resolution system?

How do skills work in a GNS sense?  Any experimentation with adapting the offense/defense mechanic to skills?  Would this be where TSoY's resolution system partly comes from?
apparition13

Matt Wilson

I think TROS has some elements that would work well as gamist if taken on their own, but they're pretty much dwarfed by the nar elements.

You could play the game in a gamist fashion, where the GM tweaks out opponents, and you  try and win with only X dice left in your pool, picking the right maneuver, and so on.

But after that TROS has nothing going for it to support gamist play. No guidelines for the GM on how to set up tough encounters, no suggestions on maneuver combos (at least I don't recall any), nothing like that.

On top of that, as soon as you bring in spiritual attributes, it's like holding a candle up to the sun. You can be as tactical as you want, but dude, I love the princess and I have 15 extra dice.

I'm not speaking for Ron, but I consider the sim elements to be the skill system (improve it by using it), the encumbrance stuff, the extensive items list, the differences in all the weapons, and the detailed "what happens if you hit this location" charts, not to mention the careful attention to "what it's like to live in such a time" in the text.

Lance D. Allen

Remember that simulationism doesn't exclusively mean simulating "real life" like situations with rules. That's only one form of simulation.

As I understand it, simulationist play involves, more explicitly and intimately than either Gamist or Narrativist play, exploration. Exploration of setting, system, situation, character, etc, often to the detriment of making the tactically best decision, or the most narratively appropriate one.

While you make a valid point that the combat system, requiring a higher level of player skill as opposed to character skill, does not simulate "reality" well, it is very strongly supportive of exploration. It sets up a situation and allows the player to explore possible outcomes by making certain choices.

Choices, more than anything, is what TRoS is about. Jake perhaps made a mistake of overstating "Realism". The combat system is "Realistic" in that it closely mimics actual combat techniques and outcomes. But realistically simulating the ability of a combatant is not what it's about.

Basically, a lot of your examples miss the point. I'm not going to do a point by point response, as you put forth a LOT of examples. I'm just going to respond to a few that caught my eye.

~Chargen: Chargen is not about realism at all, really. Sure, it has some "realistic" touches, like the system to determine height and weight (which I LOVE), but there is absolutely no intent to create realistic people. It is, like I said above, about making choices, tough choices. Realistically, you are quite correct, a nobleman would be better trained both in combative skills and education than a peon. But in the TRoS system, you have to make choices; If you want a noble character, what are you willing to sacrifice to have it? Do you want to be really good at swords? What falls by the wayside? It's about making characters who have definite strengths and weaknesses, and every choice you make should say something VITALLY important about the character you want to play. If you choose Landed Nobility just because it comes with gobs of cash, you've just missed the point. (not imply you based your decisions on that)

~Combat: Again, this suffers the most from the "Realism" appellation. It's realism is only in the one aspect of realistically simulating the flow, options and outcomes of combat. In play it is as much about making choices as char-gen, perhaps moreso. You make a decision, and you numerically determine your commitment to that decision with every exchange.. And then you deal with the outcome.

~SAs: SAs are in no way intended to be realistic. None whatsoever. SAs are what take you above and beyond the capabilities of "reality", and give you the reasons to go there. SAs are what allow you to kick into overdrive and pull off those crazy heroics that make movies and books so cool to read. They're what drive you to better yourself, the motivation to become the best at what you do..  To, heh, "Be All You Can Be", as it were. And here's the most important part: They do it well.

Now, I'll admit that the combat does have some strongly gamist elements. It is fun enough to divorce from the system, to divorce from roleplaying entirely, and just play around with. Hell, I'm in the (slow and frequently interrupted for long periods of time) process of doing precisely that with my TRoS: Gladiators game; It uses the combat system in a purely, unabashedly gamist sense. But if you try to play the game as written with purely gamist concerns, you'll fail, unless you adapt your gamist tendencies to take advantage of the narrative focus. The only way to be the badass is to have the best story, to be the most driven, passionate, faithful, conscientious, destined and lucky person at the table.

As for sim, it does that well too, so long as you understand that "realism" isn't the point. The point is to set up those specific situations and see how your character will react. The point is to visit Fauth, Odeon, Krym Khanan and Gelure. The point is to find the Riddle of Steel by knowing the right maneuver for every situation, by being aware of what makes you get out of bed each morning.

TRoS suffers from many small mistakes, but is overall an exceptionally well-focused product. The issues come from some of the same ideas we've been discussing recently in RPG Theory, involving Self-Deceit and the rhetoric of the game. The biggest single problem people have with the game is, unfortunately, the way Jake chose to describe certain things, but at least some of it is the mistake of applying it to aspects of the game that it wasn't intended to apply to.
~Lance Allen
Wolves Den Publishing
Eternally Incipient Publisher of Mage Blade, ReCoil and Rats in the Walls

apparition13

Hello all,

Nothing that I wrote above should be taken as a criticism I am making of TROS.  The only argument my first post is making is that the label of "narrativist/simulationist hybrid" that has become attached to the game is incorrect and that "narrativist/gamist hybrid" is a better expression of how TROS works in play.   The quotes that are critical of TROS are included not as criticisms of the game but rather as examples of what I interpret to be simulationist objections to SAs, combat and chargen.  In other words, the game is percieved to be supportive of Sim play/decision-making, but as the examples demonstrate players with Sim preferences dislike aspects of the game because they don't support their preferences.  They don't get the game, which leads me to conclude the label of sim is misapplied to TROS.

In my second post I asked a number of questions to further explore whether my conclusion is correct.  Matt Wilson offered the following:
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I'm not speaking for Ron, but I consider the sim elements to be the skill system (improve it by using it), the encumbrance stuff, the extensive items list, the differences in all the weapons, and the detailed "what happens if you hit this location" charts, not to mention the careful attention to "what it's like to live in such a time" in the text.

all of which is helpful.  I'm not convinced that that Matt's list is enough to negate my argument.  Would anyone care to provide more detail, particularly on how the skill system operates in play?  

Finally, my major interest at this point is the magic system.  Again, how does this function in play?  Which CAs are most significant in decision making when using magic?

Thanks
apparition13

Silmenume

Hello apparition13,

Quote from: apparition13In other words, the game is percieved to be supportive of Sim play/decision-making, but as the examples demonstrate players with Sim preferences dislike aspects of the game because they don't support their preferences.  They don't get the game, which leads me to conclude the label of sim is misapplied to TROS.

I think you are right in your assertion that Sim is misapplied to TROS.

Simply put, anytime a game is designed whereby the players can "directly employ" the mechanics to achieve some "meta-game" goal, then you are definitely outside the realm of Sim game design.  In sim play, player input is "filtered" though mechanics, unlike players who "directly employ" mechanics like Spiritual Attributes in order to address the meta-game idea of Premise, or those who, for example "manipulate mechanics" (not the negative connotation – If there is a Gamist out there who can provide a better example of this please do!) to achieve the greatest possible advantage against a foe.  IOW in Sim the role of mechanics is very different from that of Gam and Nar, and one of the "tells" between G/N mechanics and S is that the players are encouraged to employ the mechanics in game in the former and are merely subject to the mechanics is the latter.  TROS encourages the player to "employ" the mechanics which puts it at odds with the Sim game priority.  This is what I would guess is partly at root of why Sim players are "rebelling against" TROS game design.  Being "empowered" by mechanics (Gam and Nar) and being "subject" to mechanics (Sim) are two very different (and I think - and in all but the most extraordinary circumstances extremely incompatible) game priorities.  

I know this is thick with Forge jargon and I apologize deeply.  It is late and I am tired so I will have to resign myself to being a poophead.  Fret not, there are better mannered posters here than I!
Aure Entuluva - Day shall come again.

Jay

apparition13

Hi Silmenume,  you wrote:

QuoteI know this is thick with Forge jargon and I apologize deeply. It is late and I am tired so I will have to resign myself to being a poophead. Fret not, there are better mannered posters here than I!

No fretting here, nor need for apology on your part.  I'd say your post is a clearer statement of my conclusion than my posts, and clarity is always welcome.  

I may be off base here but it seems to me the reason TROS was (feel free to object if you think this is wrong) mis-classified as sim is because the details of combat (many, many very detailed charts) give it the appearance of sim while actual play exposes the illusion.  From what a couple others have said here I think there is some agreement that SAs facilitate nar play and combat has a gamist facilitating element (though SAs still rule).  While my intuition is that TROS interferes with sim play I am as of yet unwilling to state that categorically because, just as with combat, Sorcery looks simmy.  So, once again, how does sorcery play?  Which CA dominates decision making? Is it sim (look at this cool spell I designed), game (allocation of spell pool to casting/resisting) or nar and those SAs?  Is the sim appearace of sorcery, like combat, an illusion or does it actually play out as sim in this case?

thanks again,
apparition13

timfire

a13,

First a question: Do you actually own TRoS and/or have actually played it? If so, I think people would love to see an actual play report, especially one that supports the ideas you are saying.

Quote from: a13From what a couple others have said here I think there is some agreement that SAs facilitate nar play and combat has a gamist facilitating element (though SAs still rule).
There's a problem with this statement. Inidividual mechanics & sub-systems cannot be analyzed in isolation. Mechanics/sub-systems only have meaning in the context of the overall system. In other words, you have to look at the big picture to understand what's going on.

At first glance, the combat system does appear gamist. But you have to consider how the combat system interacts with the SA's. Like others have said, because SA's overpower the tactical side of combat, this makes the tatical combat moot. This will likely frustrate the gamist who was hoping to "prove himself" in combat.

But I will also take this a step further. The idea behind TRoS (ie, premise) is "What will you kill/die for?" Because combat is so deadly and complicated, it encourages people to avoid it unless their SA's are firing. In other words, they won't fight unless the fights about something that's important to them. Thus the deadly and complicated combat system actually play into the Nar elements of the game!

And realize that the presence of Challenge (or some tatical element) does not automatically make a game gamist. All RPG's involve adversity, so all three CA's must emply tatics at some point.

Lastly, I would argue that combat in TRoS is actually pretty Sim-my myself. If the goal of the player is to "experience what it's like to be in combat", then a system like TRoS that relies player skill is perfect. It enhances the immersion.
--Timothy Walters Kleinert

Marco

I think in TRoS you can find support for whatever mode of play you want. I do own it, I have played a small one-shot (which didn't prove anything, it was more about learning the system), and I've read it very carefully.

I think it is a perfect example of how different people's approach to a complex rule-set will yeild support for many different types of activities.

In my experience it was Gamist. The presence of SA's told one where there would be a better-odds fight but they did not (in my one-shot) create a premise-style question.

I'm not suggesting that they couldn't. Clearly they can and do in a lot of play. However since they don't have to the idea of CA-facilitation is, IMO, clearly based on the player's approach to the game, rather than the mechanics themselves.

I point to Over The Edge as another example of this.

-Marco
---------------------------------------------
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a free, high-quality, universal system at:
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Just Released: JAGS Wonderland

Callan S.

QuoteYou could play the game in a gamist fashion, where the GM tweaks out opponents, and you try and win with only X dice left in your pool, picking the right maneuver, and so on.

But after that TROS has nothing going for it to support gamist play. No guidelines for the GM on how to set up tough encounters, no suggestions on maneuver combos (at least I don't recall any), nothing like that.
Oh rubbish! That's like saying chess doesn't have any gamist support. In TROS you can make one PC, then clone him and both players play with the same stats, and your gaming. Standard chess doesn't need reams of options to play as a game, it just needs one. TROS actually has more gamist support than the classic game of chess.


Quote from: TimothyBut I will also take this a step further. The idea behind TRoS (ie, premise) is "What will you kill/die for?" Because combat is so deadly and complicated, it encourages people to avoid it unless their SA's are firing. In other words, they won't fight unless the fights about something that's important to them. Thus the deadly and complicated combat system actually play into the Nar elements of the game!

Apparition has already said it should be NG, he's not arguing about that (as far as I can see).

Now, if your arguing this dominance of nar means gamism turns to sim or isn't there or such: The thing is, narrativist doesn't kill gamism in TROS...it tells you when you should and shouldn't be doing it. Because even with your SA's firing, if you don't play gamist, YOUR NUTS! You can still screw up, you can still die/loose! It doesn't matter how many SA's are firing at once...the more that are firing, the more likely the bad guys are nasty. Any gamist with half a skill point tracks how story progresses, and what that means in terms of danger!

It's already been said that N comes before G. No need to focus there. The question is, is it S or G that comes after N?


Quote from: ApparitionWhile my intuition is that TROS interferes with sim play I am as of yet unwilling to state that categorically because, just as with combat, Sorcery looks simmy. So, once again, how does sorcery play? Which CA dominates decision making? Is it sim (look at this cool spell I designed), game (allocation of spell pool to casting/resisting) or nar and those SAs? Is the sim appearace of sorcery, like combat, an illusion or does it actually play out as sim in this case?
I've actually thought of writing a post on this myself. I fully agree it's been missdiagnosed. At best, to extend the idea of NG, its NGS...sim is very tertiary.

Now, on the magic system I haven't had a chance to play it. But divorced from the SA's, your working on getting the best effect for your buck, without A: Passing out and/or B: Aging/using up a finite resource.

Couple that in with applying your imagination in what the magic does to trying to get the best effect, and your not exploring but instead creating stuff while resource managing, so as to try and win.

I'm looking at it and seeing lots of rewards or avoidance of punishment, if you play to win.


Now, I wonder if I should start a post on how Rifts is missclassified as gamist, and how it's sim with only opportunities for unsportsmanlike gamism.
Philosopher Gamer
<meaning></meaning>

contracycle

Quote from: Noon
Now, I wonder if I should start a post on how Rifts is missclassified as gamist, and how it's sim with only opportunities for unsportsmanlike gamism.

Yes, I'd like to see that argument.

I'm on the fence with TROS, not least because I think the mode of play can change from minute to minute.  I certainly think the SA's and the Nobility trade-off* are a huge problem from a sim perspective.  But, most of the game seems to have been written from a presumed sim aesthetic, in my eyes.

The magic system was developed separately and probably should not be seen as purposefully welded to the combat system in some sort of grand plan.

* Wolfen says if you wanted to be noble just so you can have loads of cash you have missed the point.  However, being a noble in TROS does not have any other point, systematically.  Worse, most players probably selected it not for the cash but for the coolness factor and because certain stories essentially only happen to aristos.
Impeach the bomber boys:
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- Leonardo da Vinci

apparition13

Noon wrote:
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Apparition has already said it should be NG, he's not arguing about that (as far as I can see)

Bingo.

Conracycle wrote:
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I'm on the fence with TROS, not least because I think the mode of play can change from minute to minute. I certainly think the SA's and the Nobility trade-off* are a huge problem from a sim perspective. But, most of the game seems to have been written from a presumed sim aesthetic, in my eyes.

(italics mine.)
I wholeheartedly agree with the italicised sentence.  As I stated above both the combat system and the magic system look like sim.  The point here is that regardless of what the design goals may have been the end result of the combat system in play is gamist.  I don't know about the magic system plays gamist as well, and what research I've been able to do so far leads me to wonder if it is used in play much at all.  

Correct me if I'm wrong, but my understanding of how things are done here is that CA is eveluated based on play. This implies that if TROS is designed with a Sim aesthetic but results in Gamist play*, it should be classified as a G facilitating game, not S facilitating.  

*Bearing in mind that TROS is primarily N, with the discussion here having bearing on the subsidiary CA.
apparition13

Alan

Hi all,

What gets me about these discussions about "is it N and G or N and S?" etc. is that the fact that, by definition, a particular instance of rpg play cannot have more than one Creative Agenda.  Creative Agenda is defined by which of the three agendas is chosen as the deal breaker, not by the appearance of mechanics, which in the absence of other considerations, might produce a different agenda.

So what's the purpose of this thread?  To identify those rules in TROS that would support gamist play if the Spiritual Attributes were absent?
- Alan

A Writer's Blog: http://www.alanbarclay.com