Photoshop: Do I really need it and why?
Carnifex:
Quote from: greyorm on June 05, 2009, 01:37:02 PM
You'll need to download and install it. Link provided for the former, check the directions in GIMP for the latter. (Honestly, though, I can count on one hand the number of times I've had to use CMYK, so I don't know if you'll ever actually need to use it unless your printer specifically requests it or an artist sends you a CMYK file.)
I bet you don't know the difference between RGB and CMYK. 99% of everything you print is printed with CMYK. You can't actually print anything in RGB (you could maybe send it to the printer as RGB but it WILL be converted) .
If you plan on making best quality printed stuff you have to be able to work in CMYK. Haven't used GIMP but I doubt I'd be satisfied with it with the high demands for speed and quality that I have.
guildofblades:
>>If you plan on making best quality printed stuff you have to be able to work in CMYK.<<
It should also be noted that TVs and most printed only show you RGB. And yes, there are usually subtle differences between the RGB and converted CMYK outputs for the sale file. That said, unless you have an art monitor that is showing you the CMYK, then its still probably best if you work in RGB anyways and simply let the printer convert as is necessary for them. All modern digital printers will do that conversion automatically without the operator needing to do a thing.
If exact color tone is highly important to you however, its best you start by getting a graphical monitor that can display in CMYK.
Ryan S. Johnson
Guild of Blades Retail Group - http://www.gobretail.com
Guild of Blades Publishing Group - http://www.guildofblades.com
1483 Online - http://www.1483online.com
greyorm:
Quote from: Carnifex on June 11, 2009, 05:26:45 AM
I bet you don't know the difference between RGB and CMYK.
...
"I bet..."? Seriously? Oy.
Alright then.
I've been doing design for years. Long enough to know plenty about the differences between additive and subtractive color palettes, long enough to have studied running four-color presses before deciding I wasn't interested, certainly long enough to have had to work with CMYK, more than long enough to know that working with CMYK on an RBG source is still a crapshoot (since one is trying to emulate subtractive color schema on an additive screen, and can't thus get a true feel of the actual values you'll see until one runs a proof), and long enough to know that the majority of printers today convert it for you -- I haven't had a request for CMYK files from a printer in years, even when I ask if they want it. Hence my statement to Seamus about his probably never needing to use it.
Quote
If you plan on making best quality printed stuff you have to be able to work in CMYK. Haven't used GIMP but I doubt I'd be satisfied with it with the high demands for speed and quality that I have.
Take a minute here and check what you just said: you "bet" I don't know what I'm talking about, and then state you are making an opinion based on having never actually used the program you are decrying.
Yes, there are some good reasons NOT to use GIMP in a professional setting -- lack of a Pantone color license for spot work (since use requires a fee), less sophistication in the tool-set (as Eero said, second-to-last version) -- though "I've never used it, but I bet it isn't any good" is not one of them. But the chances of Seamus running into any of those issues given what he is going to need and use it for is slim.
But as Ryan notes, the CMYK issue is moot if you don't have a correctly calibrated monitor (and even then, a monitor still can't display the colors of pure cyan or yellow inks as they print because it can't create those tones correctly, and conversely you can't print some of the colors you can see on your monitor as they display, particularly the more luminous shades -- which means you're back to printing proofs anyways, which is what you should be doing). Which is all, I'm thinking, far more design intensive than Seamus intends to get into or needs to get into for an RPG book (particularly if only the cover is going to be in color, and particularly for a small press book).
Ron Edwards:
Carnifex, you have stepped over the bounds of courtesy here at the Forge. When someone says something you disagree with, it is all right to say so. However, it is not all right to turn disagreements into a status game about superior knowledge.
There is no need to respond to this post or to react to Raven's response (which was courteous). Continue the converation with my moderation in mind, is all.
Best, Ron
Carnifex:
Quote from: Ron Edwards on June 11, 2009, 08:57:10 AM
Carnifex, you have stepped over the bounds of courtesy here at the Forge. When someone says something you disagree with, it is all right to say so. However, it is not all right to turn disagreements into a status game about superior knowledge.
There is no need to respond to this post or to react to Raven's response (which was courteous). Continue the converation with my moderation in mind, is all.
Best, Ron
Im very sorry. I saw that it sounded awful when I had posted it and if I could I would have changed it afterwards. :(
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