Questions regarding apparently non-sentient Demons (f. ex. technological)
lachek:
We've run a couple of sessions of Sorcerer in an Afterglow-based post-apocalyptic setting. Things got a bit messy, both with the game and with scheduling the game, and it may be a while until we return to it. In the meantime I'd love to get some feedback on some problems we ran into regarding the exact nature of demons given this one-sheet.
The players' demons were:
a nanotech colony (Parasite) who protects the host from toxins and repairs tissuea giant robot (Passer) intended as a teaching companion for small childrena HUD combat helmet (Object) yielding preternatural reflexes in combatan ocular implant (Parasite) with the ability to sense guilt
My intention was to allow the players to identify the things that caused civilization to fall by specifying what tech is demonic and what tech isn't. I also wanted to keep the question of whether or not demons truly had a will of their own or not open-ended. Same thing regarding whether or not they respond to "magical" thinking - we know mechanically that it's easier to control a flamethrower if you mix the blood of a chicken into the napalm, but in the fiction we ought to be able to call that coincidence rather than true cause/effect. Make sense?
As it turns out there were a few problems with this.
First off, it became very difficult to portray the demons as malevolent without giving them any kind of personality. "Teddy", the giant robot, had something resembling a personality but still had to respond to his master in a rather simplistic fashion to maintain the illusion that he was not driven by a higher consciousness. As the other demons were uncommunicative, it was difficult to portray their nature as hostile to human life - the closest I ever got to it was the HUD combat helmet, which on a few occasions responded to purely social hostility by transforming the image of the person to a paper doll and flashing HOSTILE TARGET ACQUIRED across the screen to incite a violent response.
Unsurprisingly, keeping up the illusion of the demons as inert tech became increasingly difficult. I found myself floundering quite a bit when I didn't have a plausible method of simply voicing my main NPCs' wishes to the PCs but instead had to cushion it in machine-like behaviour. It was a continuous two-step process of thinking "what would a demon do" and then "how would a sentient machine do that while keeping up appearances of non-sentience", which was rather exhausting.
One suggestion from the players was to limit "demons" to technology which is both antagonistic to human life and fully capable of communication, with at least a rudimentary AI . While I see how that might work, it nullifies one big aspect of what I thought was cool about the one-sheet, which is for the players to make commentary on what technology they see as capable of destroying the world and why.
It was also a bit tricky to determine how Contacting might work when demons are physical and scarce. According to my one-sheet, it's "Locating, Researching, Recycling, Testing". That all seemed good and well in theory, but in practice it's a bit grating when a player says "Alright, so, I'm going to try to locate some kind of weapon in this robot factory - it'll have Special Damage Lethal and Boost Stamina". In vanilla Sorcerer, it's perfectly reasonable for a sorcerer to contact a demon from beyond time and space anywhere, anytime. Even if using a one-sheet like "demons are drugs" it's pretty easy to justify why a sorcerer would have near instant access to a bottle of rum or a crate of Nyquil. But when demons are rare, obscure technological artifacts it seems less reasonable that a PC would trip over one whenever they have an hour or two to bind it. I figure many settings treat demons as rare in the same way (Judd's solar system setting springs to mind), and I wonder how others handle that problem?
Finally, it was pretty cumbersome to play all those demons, along with other NPC antagonists, especially in the one major conflict we've had so far. Which got me thinking, what are people's thoughts regarding offloading "everyday" demon decision making and characterization to other players, with final say by the GM? I think in theory, handing over control of that ocular implant to some other player to inflict pain on its owner so the GM doesn't have to constantly think about it might be useful. I envision it handled a bit like the Shadow-player in Wraith, except for the fact that the GM can take back control at any time to serve her needs. I can't be the first person to have thought of that - any experiences or thoughts you could share?
To sum it up:
How to properly portray and play demons when demons do not have or cannot display a personalityHow to play demons with no fictionally apparent sentience or motivation (but where sentience and motivation must exist as per the mechanics)How to handle demon scarcity, when Contacting rules call for it being possible most anytime the player feels it ought to beHow to offload (some of) the playing of demons onto other players
Thanks in advance for your insights.
Ron Edwards:
Hello,
As a general point and first impression, I think you over-intellectualized just about everything about play.
Regarding your main concern, my answer may be frustrating to you. As I see it, the GM should always play the demons as if they were deliberate, goals-directed creatures. The whole business of "mechanical," "inert," or "non-intelligent," or whatever you want to call it, should remain a feature of narration (i.e. in-game cause and presentation) alone.
Doing this is a skill. Developing skills often takes practice and includes false steps or failed tries. I think you're working through developing the skill, and encountering predictable difficulties, and all I can say is, "it's a process, keep going." My only advice is that you conceive of such demons as having more intense Desires, rather than less.
Regarding your Contact scenario and question, it seems apparent to me (and again I'm only going from your account here) that "tripping over it" is a counter-productive interpolation of your own. Given that no sorcerous ritual can be conducted by accident, by definition, then "locating, researching, recycling, testing" (from your one-sheet) all require proactive and imaginative work on the part of the character.
So the character is in a warehouse and wants to Contact a demon with abilities thus-and-such. "Trip over it" is inadmissible and therefore not an issue in the first place. What does the character do to Contact it? That's the question. It has to be something that taps into the look-and-feel for demons in the game.
I can think of about a dozen things off the top of my head. I'm having a little trouble seeing why you didn't, but I also know that in the heat of play, a certain forgetfulness or density does crop up some time. The question is whether you can think of about a dozen things off the top of your head now.
Best, Ron
lachek:
Hi Ron,
Over-intellectualizing Sorcerer play is actually becoming part of my daily routine, in case you haven't noticed.
Your answer actually isn't frustrating at all and I think it's in line with my understanding. As the GM, I'm supposed to assume the demons work as fire-and-brimstone demons should. I'm then supposed to take the action the demon ought to take but translate it into something that makes fictional sense given the one-sheet. It'd be rather nonsensical to have the nanobot colony take control of its sorcerer's vocal chords, for example, but it might be totally reasonable for it to secretly communicate with a data terminal by touch.
The players should do the same - accept the Faustian theme of characters getting in (possibly) over their head, accept their abilities as fire-and-brimstone sorcerers, and then translate their actions into something that makes fictional sense given the one-sheet. Your comment about Contacting makes good sense in this regard. While the player in question didn't literally narrate tripping over a demon, it was definitely a "gimme" rather than a true Contacting ceremony which the player was invested in playing out, and resulted in a bland demon mostly made up of a few mostly beneficial numbers rather than of true demon-stuff. Rather than saying "yes" to the player at that point, I should've said "what do you do specifically to locate such a terrible, deadly object?"
As you say, doing this thinking in the heat of play is definitely at the core of these problems. I recognize that with practice, we'll all get better at it. To be blunt, the question is whether or not we'll have an opportunity to get this practice the long and hard way before we tire of it. I suppose what I'm asking for are some shortcuts - not shortcuts to mastery, but to a more enjoyable game in the interim. That's the reason I'm asking for people's ideas regarding distributing characterization responsibilities of demons to other players, for example. If a player could take responsibility for just one of the demons, s/he would have more compute time to consider plausible characterization of that demon than the GM, who has to take so many more things into account at any given time.
Something which became immediately obvious to me right after play began was that if we'd played a traditional Faustian sorcerer game, that second step of brain-grinding to get the demonic behaviours to fit within the fiction would not be necessary - just play the demons the way demons ought to be played. Similarly, Contacting could be done anywhere, anytime - as demons don't exist anyway, it doesn't matter where and when you contact them, and nobody would get strange ideas like "it's perfectly reasonable that there should be a fire-breathing Hell Imp in this factory". So I guess what I'm really looking for are ways to drift my one-sheet to function as much as possible as Faustian sorcery does without invalidating the cool parts.
I think it'd be useful to know how other people portrayed tech-as-demons in their games, if nothing else but to give me some inspiration. If there are any AP posts someone could point me to I'd appreciate it, or if someone wants to tell me something illustrative that happened in their own game. Once again, Judd's solar system setting is interesting to me as many of the conceits overlap and the definition of demons are quite similar.
lachek:
Hah. I realized (after over-over-intellectualizing and coming out the other side) that another method would be to simply say: Fuck the metaphor, demons are demons and work exactly the way the mechanics and source material say they do. Your sorcerer thought that was a HUD combat helmet, huh? Well, surprise, you're actually wearing a hellspawn on your head. A hellspawn who's totally free to munch on your head if it feels like it, or sprout legs and run away, scientific explanations be damned.
It feels like a bit of a cop-out though, and would be undermining the players' trust in the one-sheet. But it's an idea that sounds pretty workable.
angelfromanotherpin:
I think you'd get some value from checking out this old thread on a similar topic: http://www.indie-rpgs.com/forum/index.php?topic=22905.0
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