[Brick & Mortar: Last of the Independents]
Dan Maruschak:
Brick & Mortar: Last of the Independents
I haven't had great luck getting inspired by these “groups of words” design contests, especially in terms of coming up with games of the appropriate scope for the format of the contest, but this round of the Ronnies really worked well for me. From the second I saw the words for this round “amazon” spoke to me in the form of Amazon.com. At first I was thinking of doing something with “amazon queen” where the game would be about interacting with a writer whose book is a top seller at Amazon.com but that was coming across flat to me. Then I looked at the words again and thought of “chain” in the context of chain store, and everything locked into place: independent retailers feel pressure from Amazon.com and chain stores, so I can hit those terms by making the game about a retail store. I added a survival-horror element like a zombie apocalypse since that's a common metaphor for corporate commercialism and could easily mirror how a struggling retailer feels.
To me, the interesting dichotomy with a story about a retail store is that there's a romanticism to owning your own business, but the “big guys” are winning in the marketplace because the customers are usually better off in terms of price and selection when they deal with them rather than dealing with a small independent store – there's an inherent conflict between emotional connection to traditions vs. cold rational economics. I wanted to put the challenges faced by store owners into my mechanics with The Owner's “Where can I get one of those?” move – the owner will rarely have the thing another character needs (doesn't have the right stock for the customer) and will usually only be able to satisfy the need by sending them somewhere else that they may not come back from (in the real world to a competitor or to the internet, in the game because they die or because they choose to save themselves rather than return to the group). The conceptual differences between Amazon.com (they've got essentially everything, and they'll deliver it to you eventually) and a big-box store (they've got a lot of stuff, but it's not always convenient) gave me the difference between items in The Cloud and items in The Supply Chain. Things in The Cloud can show up unexpectedly in the story while things in The Supply Chain encourage people to go get involved in interesting situations when they go to get them.
For the resolution system, I'm not sure it hangs together. I suspect the “every little bit helps” thing will be a bit clunky in play since you'd need to write a lot of cards as currently written, and I'm not sure the “do something important/avoid danger” moves interface with the “planning” moves in a way that makes sense (I also forgot to put the “do something important” and “avoid danger” moves on The Owner's sheet).
Right now, I'm relying pretty strongly on players' sense of story-appropriateness to put themselves in dangerous situations, since I only have rules for injecting “ominous” events and not a lot for escalating to actual danger. I'm guessing that most people will do the “obvious thing” and go investigate the ominous event and introduce adversity when they do, but it might be a stronger design if I tightened that up. Maybe I should give the different characters some “it's getting worse” moves in addition to the “there's a lull” moves I've got now.
Baxil:
Dan,
The fact that your game explicitly uses that metaphor is great! I love how gameplay is set up to be meaningful on multiple levels. I hope that, as you work with it, you find ways to keep that prominent in the rules and in the gameplay experience. And I love that I'm still finding new facets here - I had missed the distinction between The Cloud and The Chain.
One thing to consider: in a lot of ways this is a game about The Store Owner. If it's just about everyone surviving the Zombocalypse (Tentaclysm, Velocirapture, etc), it loses some punch on the metaphorical level. Maybe it's worth refocusing the game a little, and making the distributed GM duties a little more lopsided, to push that theme more?
- Bax
Ron Edwards:
Dan Maruschak's Brick & Mortar: Last of the Independents reads to me like half a game - the first half, almost entirely together, ready to go, but with no second half.
That doesn't necessarily mean I expect to see a formalized this-many-turns structural ending process (as in Queens of Time and Space). It could have such a thing, but the minimum I'm hoping for is some intrinsic process which changes the circumstances of play, significantly, so that there is some kind of rising action and climax which might emerge. As written, the characters might go here and do this and that and then go there (somewhere else), but as far as I can tell, every scene is effectively, mechanically, the same as the first scene. Intrinsic processes that make things happen can be character-centric, such as the typical advancement mechanics in many RPGs as the most obvious example, but they can be setting-centric too. Whatever it is, without it, I get nothing from playing the game for two hours that I wouldn't get from playing it for ten minutes.
So it's pretty clear so far that people have appreciated the interesting use of the two terms, which I also like. But their very cleverness illustrates what I'm talking about, actually. Sure, we start with a retail store which has fallen prey to modern business strategies and especially to Amazon - that's fine. Same goes for a mechanic being called a chain, in accordance with the fact that it's called a chain in real life too. But I'm not seeing how play feeds back upon these precise features of the game, or how play is moved forwards by such feedback. Once you see how the two terms are involved, that's all they do, and we move on from there to play this survival/horror situation.
Dan, what do you think? Let's take your example of play and move it forward a substantial amount of time during the session we're playing in. What's different? What has changed? What's going on? Is play different now from when we started? Does either the whole Amazon connection or the Supply Chain mechanic operate differently or more consequentially now than it did at the start?
Best, Ron
Dan Maruschak:
It's my hope that the accumulation of important items and plans will gradually change the nature of play, both because of the mechanics and because of human nature to want to engage with ideas that have been proposed rather than keep coming up with new ones. When items go to The Supply Chain, it encourages expeditions to go get them, which will tend to either split up the group or expose the entire group to danger. When bad stuff happens in that scenario, it will likely increase tension between whoever proposed the plan and the rest of the group. Items in The Cloud will get reincorporated at inopportune times, bringing up the possibility of reconsidering abandoned plans, creating tension with people who are invested in different plans. So I think that causes change, but doesn't necessarily build to a climax. I'll need to think about that. The Regular or The Hipster scuttling plans by running off with important items can change the situation, too, but that won't change over time.
I might think about borrowing the idea from Zombie Cinema of having the first person "out" take on the role of playing the threat, or maybe another character, like a rescued victim.
Ron Edwards:
I think I might be missing the point of play, in the most casual and ordinary use of that term. Is it to get my character out of harm's way, which effectively means "run off screen"? Is it to work together as a group toward some end? Is it to pump up social strife as much as possible?
I guess I'm seeing a lot of talk about running off away from the situation, both in the game itself and here in the thread. Is that a secondary feature of play or is it a central feature?
Thinking about one or more sessions of play, how do you envision the fictional events ceasing merely to re-arrange and change, but actually reaching an irreversible crux point?
Best, Ron
Navigation
[0] Message Index
[#] Next page